Where Everybody Knows Your Name
I've never really lived in an environment like this before. I'm used to being an anonymous number in a university's database, a nameless customer in an oversized supermarket, an indistinguishable cog in a giant mechanism. All of a sudden, I've found my own city-wide version of Cheers. People remember where I work and ask how the music lessons are going. They're interested in my life back home, and ask about how I like Cusco, and offer ideas and suggestions for thing to do and see. This is the kind of environment people look for when they move to small-town Middle America, and I managed to wind up with it in the middle of a South American city.
And then, of course, there's El Viejo. El Viejo is this little hole-in-the-wall bar just off the Plaza de Armas that we've basically adopted as our official hangout. It's dim, smoky, small - and friendly as all hell. The bouncer knows us all, waves when we walk in, and sometimes takes a break to dance with us when a particularly good song comes on. The bartenders know which drinks we like, who's a beer drinker and who sticks with cocktails. They even makes sure to save us our usual table.
All this, of course, is just an attempt at creating some sort of home in a strange land thousands of miles from our families and friends, where the language and the customs are hardly familiar, and where the scary expanse of cityscape can only be narrowed by finding something good and sticking to it. Still, why mess with a good thing? We've got our little system that offers some homey comfort, and that goes a long way toward giving us a sense of security. Little kids have blankies. Big kids have their favorite bar.
I'd like another amaretto sour, please.

Today, we ventured up the mountain to Sacsayhuaman. Now, of course I've read a poem about this one too but, to be honest, I wasn't quite as excited about it as I was about Ollantaytambo. Maybe it's because the mountain is bigger, and at a higher elevation, and I've been sick the last two days. Basically, about halfway up, I wanted to cry.
In one of my Spanish literature classes last year, we read a poem about Ollantaytambo. I don't remember much of it, because it was a huge survey course and we read a whole bunch of literature in those ten weeks, but what struck me was the poem's percussive rhythm. As I later learned, that drumbeat cadence was intentional, because Ollantaytambo eventually served as a stronghold for the resisting Incas when the Spanish invaded. We all know what happened with that.
